What does Italian baroque music have in common with Argentinian tango? They’re both full of rhythm and dance, both have freedom to embellish and improvise. Hear the two meet as we take one of orchestral music’s most recognisable pieces and reinvent it with a Latin twist, including both violin and accordion soloists.
Mozart originally wrote this as a triple piano concerto, but later rearranged it for two pianos. Listen carefully and you can hear it – the thrill and complexity of the three parts being juggled...
Mozart's Piano Concerto No. 21 in C with pianist Yevgeny Sudbin, and Mendelssohn's Symphony No. 5 (Reformation) conducted by Christopher Warren-Green. The UK premiere of Roxanna Panufnik's Two...
A youthful take on orchestral music: hear Prokofiev’s childhood classic narrated by his own grandson, Gabriel, alongside Gabriel’s acclaimed piece for DJ and orchestra – debuted at the proms in...
‘Write something cheerful for a change,’ said Dvořák to his teenage pupil and future son-in-law, Josef Suk. His Serenade for Strings is the result – sunny, gentle, and overwhelmingly...
